[et_pb_section fb_built=”1″ _builder_version=”4.21.0″ _module_preset=”default” background_color=”#e8e4ca” custom_padding=”50px|0px|0px||false|false” global_colors_info=”{}”][et_pb_row custom_padding_last_edited=”on|phone” _builder_version=”4.21.0″ _module_preset=”default” background_color=”#FFFFFF” custom_padding=”|80px|6px|80px|false|true” custom_padding_tablet=”|80px|6px|80px|false|true” custom_padding_phone=”|20px||20px|false|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text content_tablet=”<\/p>\n
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[\/et_pb_text][et_pb_text content_tablet=”The German mezzo-soprano grew up in L\u00f6wenstein (Baden-W\u00fcrttemberg). She sang in choirs and played the organ prior to discovering her solo singing voice.<\/strong>” content_phone=”The German mezzo-soprano grew up The German mezzo-soprano grew up in L\u00f6wenstein (Baden-W\u00fcrttemberg). [\/et_pb_text][et_pb_divider color=”rgba(0,0,0,0.25)” _builder_version=”4.21.0″ _module_preset=”default” width=”50%” module_alignment=”center” custom_padding=”20px||20px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ custom_padding_last_edited=”on|phone” _builder_version=”4.21.0″ _module_preset=”default” background_color=”#FFFFFF” custom_padding=”5px|80px|50px|80px|false|true” custom_padding_tablet=”5px|80px||80px|false|true” custom_padding_phone=”|20px||20px|false|true” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/roswitha-mueller.com\/wordpress\/wp-content\/uploads\/2019\/09\/Roswitha-Mueller-Mezzosopran_Curriculum.jpg” title_text=”Roswitha Mueller Mezzosopran_Curriculum” _builder_version=”4.21.0″ _module_preset=”default” width=”92%” width_tablet=”” width_phone=”” width_last_edited=”on|phone” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text content_tablet=”<\/p>\n Roswitha M\u00fcller began her vocal studies with Christiane Hampe at the Karlsruhe Conservatoire and subsequently studied with Kurt Widmer in Basel, where she obtained her teaching and performance diplomas with distinction.<\/p>\n She pursued further studies with Margreet Honig in Amsterdam, Hartmut H\u00f6ll in Z\u00fcrich, Bodil Guemoes in Kopenhagen und Dunja Vejzovic in Stuttgart.<\/p>\n Roswitha M\u00fcller was a <\/span>prize winner <\/span><\/strong>at various competitions. Both the <\/span>Yamaha Europe Foundation <\/span><\/strong>and the <\/span>Kiefer Hablitzel Foundation <\/span><\/strong>in Bern awarded her first prize.<\/p>\n She accumulated her professional experience as a concert and opera singer <\/span><\/strong>with a host of renowned conductors such as Gennady Roshdestvensky, Howard Griffiths, Johannes Kalitzke, Jonathan Nott, Hans Martin Linde, J\u00fcrg Wyttenbach, Rudolf Lutz, Ed Spanjaard und Simon Gaudenz. She has sung with well-known ensembles including the Tonhalleorchester, Collegium Novum Z\u00fcrich, the Limburg Symphony Orchestra, the Freitagsakademie, the Basel Symphony Orchestra, Musica Rara in Milan, La Fontaine, Camerata Variabile Basel, Capriccio Basel and Camerata Schweiz, amongst others.<\/p>\n The mezzo-soprano\u2019s broad <\/span>repertoire <\/span><\/strong>stretches from the Renaissance, through baroque, classical and romantic oratorios, an extensive repertoire of Lieder and 20th century chamber music, right up to contemporary music and world premieres.<\/p>\n Roswitha M\u00fcller has performed at the following festivals: <\/span>Berliner Festwochen <\/span><\/strong>(Berio Folksongs), Bregenzer Festspielen <\/span><\/strong>(Swiss premiere of works by Jorge E. Lopez, 2010), Young European <\/span>Festival at the Amsterdam Concertgebouw,<\/strong> <\/span>the <\/span>Martinu Festtagen <\/span><\/strong>in Basel, the <\/span>Tagen f\u00fcr Neue Musik Z\u00fcrich <\/strong>(world premiere of works by Klaus Huber), the <\/span>Bachstiftung Trogen,<\/strong> <\/span>the International <\/span>Bachfest Schaffhausen<\/strong> <\/span>and the <\/span>Lucerne Festival.<\/strong><\/p>\n On the concert platform she gave performances of <\/span>Mahler\u2019s \u2018Des Knaben Wunderhorn\u2019 <\/span><\/strong>with the Neuss Chamber Academy and <\/span>Berlioz\u2019s \u2018Les Nuits d\u2019Et\u00e9\u2019 <\/span><\/strong>with Camerata Schweiz. She sang <\/span>Bach\u2019s St. Matthew and St. John\u2019s Passions <\/span><\/strong>in Maastricht and gave concerts of <\/span>Wagner\u2019s \u2018Wesendoncklieder\u2019 <\/strong>and <\/span>H. Suter\u2019s \u2018Le Laudi\u2019 <\/span><\/strong>with the Novosibersk Symphony Orchestra.<\/p>\n On the <\/span>opera stage <\/span><\/strong>she has sung at the Lucerne Theatre in <\/span>Monteverdi\u2019s 8th Book of Madrigals <\/span><\/strong>and in Wolfgang Rihm\u2019s \u2018Jakob Lenz\u2019.<\/strong> <\/span>She interpreted the role of <\/span>Ottavia<\/strong> <\/span>in <\/span>\u2018L\u2019Incoronazione di Poppea\u2019 <\/strong>with the Munich ensemble \u2018cos`i facciamo\u2019 at the Dresden Semperoper. She was <\/span>Cherubino<\/strong> <\/span>in a production of Mozart\u2019s <\/span>\u2018Le Nozze di Figaro\u2019 <\/span><\/strong>at the Amsterdam Concertgebouw and appeared as <\/span>Bradamante<\/strong> <\/span>in Handel\u2019s <\/span>\u2018Alcina\u2019<\/strong> <\/span>in Neuch\u00e2tel and Bern. <\/span>The Pocket Opera <\/span><\/strong>in Zurich engaged her in 2007 and 2009 for Gilbert and Sullivan\u2019s <\/span>\u2018The Mikado\u2019 <\/span><\/strong>und <\/span>\u2018The Gondeliers\u2019 <\/span><\/strong>under Howard Griffiths.<\/p>\n As a <\/span>recitalist<\/strong> <\/span>Roswitha M\u00fcller has performed with the pianists G\u00e9rard Wyss, Hans Adolfsen, Kelvin Grout and, more recently, with Valentina Pfister, at many well-known concert venues.<\/p>\n She has participated in <\/span>radio broadcasts<\/strong> <\/span>and made many <\/span>CD recordings,<\/strong> <\/span>for example <\/span>Fanny <\/span><\/strong>Hensel\u2019s <\/strong>Lieder (for the label \u2018troubadisc\u2019) and works by the Dutch composer <\/span>Rudolf Escher <\/span><\/strong>(for \u2018ottavo\u2019).<\/p>\n Since 2005 Roswitha M\u00fcller has taught <\/span>vocal studies <\/span><\/strong>at the <\/span>Hochschule der K\u00fcnste <\/span><\/strong>and the M<\/strong>usikschule Konservatorium in Zurich.<\/strong> <\/span>She lives in Basel and in Tuscany.<\/p>\n ” content_phone=”<\/p>\n Roswitha M\u00fcller began her vocal studies with Christiane Hampe at the Karlsruhe Conservatoire and subsequently studied with Kurt Widmer in Basel, where she obtained her teaching and performance diplomas with distinction.<\/p>\n She pursued further studies with Margreet Honig in Amsterdam, Hartmut H\u00f6ll in Z\u00fcrich, Bodil Guemoes in Kopenhagen und Dunja Vejzovic in Stuttgart.<\/p>\n Roswitha M\u00fcller was a <\/span>prize winner <\/span><\/strong>at various competitions. Both the <\/span>Yamaha Europe Foundation <\/span><\/strong>and the <\/span>Kiefer Hablitzel Foundation <\/span><\/strong>in Bern awarded her first prize.<\/p>\n She accumulated her professional experience as a concert and opera singer <\/span><\/strong>with a host of renowned conductors such as Gennady Roshdestvensky, Howard Griffiths, Johannes Kalitzke, Jonathan Nott, Hans Martin Linde, J\u00fcrg Wyttenbach, Rudolf Lutz, Ed Spanjaard und Simon Gaudenz. She has sung with well-known ensembles including the Tonhalleorchester, Collegium Novum Z\u00fcrich, the Limburg Symphony Orchestra, the Freitagsakademie, the Basel Symphony Orchestra, Musica Rara in Milan, La Fontaine, Camerata Variabile Basel, Capriccio Basel and Camerata Schweiz, amongst others.<\/p>\n The mezzo-soprano\u2019s broad <\/span>repertoire <\/span><\/strong>stretches from the Renaissance, through baroque, classical and romantic oratorios, an extensive repertoire of Lieder and 20th century chamber music, right up to contemporary music and world premieres.<\/p>\n Roswitha M\u00fcller has performed at the following festivals: <\/span>Berliner Festwochen <\/span><\/strong>(Berio Folksongs), Bregenzer Festspielen <\/span><\/strong>(Swiss premiere of works by Jorge E. Lopez, 2010), Young European <\/span>Festival at the Amsterdam Concertgebouw,<\/strong> <\/span>the <\/span>Martinu Festtagen <\/span><\/strong>in Basel, the <\/span>Tagen f\u00fcr Neue Musik Z\u00fcrich <\/strong>(world premiere of works by Klaus Huber), the <\/span>Bachstiftung Trogen,<\/strong> <\/span>the International <\/span>Bachfest Schaffhausen<\/strong> <\/span>and the <\/span>Lucerne Festival.<\/strong><\/p>\n On the concert platform she gave performances of <\/span>Mahler\u2019s \u2018Des Knaben Wunderhorn\u2019 <\/span><\/strong>with the Neuss Chamber Academy and <\/span>Berlioz\u2019s \u2018Les Nuits d\u2019Et\u00e9\u2019 <\/span><\/strong>with Camerata Schweiz. She sang <\/span>Bach\u2019s St. Matthew and St. John\u2019s Passions <\/span><\/strong>in Maastricht and gave concerts of <\/span>Wagner\u2019s \u2018Wesendoncklieder\u2019 <\/strong>and <\/span>H. Suter\u2019s \u2018Le Laudi\u2019 <\/span><\/strong>with the Novosibersk Symphony Orchestra.<\/p>\n On the <\/span>opera stage <\/span><\/strong>she has sung at the Lucerne Theatre in <\/span>Monteverdi\u2019s 8th Book of Madrigals <\/span><\/strong>and in Wolfgang Rihm\u2019s \u2018Jakob Lenz\u2019.<\/strong> <\/span>She interpreted the role of <\/span>Ottavia<\/strong> <\/span>in <\/span>\u2018L\u2019Incoronazione di Poppea\u2019 <\/strong>with the Munich ensemble \u2018cos`i facciamo\u2019 at the Dresden Semperoper. She was <\/span>Cherubino<\/strong> <\/span>in a production of Mozart\u2019s <\/span>\u2018Le Nozze di Figaro\u2019 <\/span><\/strong>at the Amsterdam Concertgebouw and appeared as <\/span>Bradamante<\/strong> <\/span>in Handel\u2019s <\/span>\u2018Alcina\u2019<\/strong> <\/span>in Neuch\u00e2tel and Bern. <\/span>The Pocket Opera <\/span><\/strong>in Zurich engaged her in 2007 and 2009 for Gilbert and Sullivan\u2019s <\/span>\u2018The Mikado\u2019 <\/span><\/strong>und <\/span>\u2018The Gondeliers\u2019 <\/span><\/strong>under Howard Griffiths.<\/p>\n As a <\/span>recitalist<\/strong> <\/span>Roswitha M\u00fcller has performed with the pianists G\u00e9rard Wyss, Hans Adolfsen, Kelvin Grout and, more recently, with Valentina Pfister, at many well-known concert venues.<\/p>\n She has participated in <\/span>radio broadcasts<\/strong> <\/span>and made many <\/span>CD recordings,<\/strong> <\/span>for example <\/span>Fanny <\/span><\/strong>Hensel\u2019s <\/strong>Lieder (for the label \u2018troubadisc\u2019) and works by the Dutch composer <\/span>Rudolf Escher <\/span><\/strong>(for \u2018ottavo\u2019).<\/p>\n Since 2005 Roswitha M\u00fcller has taught <\/span>vocal studies <\/span><\/strong>at the <\/span>Hochschule der K\u00fcnste <\/span><\/strong>and the M<\/strong>usikschule Konservatorium in Zurich.<\/strong> <\/span>She lives in Basel and in Tuscany.<\/p>\n ” content_last_edited=”on|phone” _builder_version=”4.21.0″ _module_preset=”746e8432-b580-44e0-9fcf-d1ef4c98fa72″ global_colors_info=”{}”]<\/p>\n Roswitha M\u00fcller began her vocal studies with Christiane Hampe at the Karlsruhe Conservatoire and subsequently studied with Kurt Widmer in Basel, where she obtained her teaching and performance diplomas with distinction.<\/p>\n She pursued further studies with Margreet Honig in Amsterdam, Hartmut H\u00f6ll in Z\u00fcrich, Bodil Guemoes in Kopenhagen und Dunja Vejzovic in Stuttgart.<\/p>\n Roswitha M\u00fcller was a\u00a0<\/span>prize winner\u00a0<\/span><\/strong>at various competitions. Both the\u00a0<\/span>Yamaha Europe Foundation\u00a0<\/span><\/strong>and the\u00a0<\/span>Kiefer Hablitzel Foundation\u00a0<\/span><\/strong>in Bern awarded her first prize.<\/p>\n She accumulated her professional experience as a\u00a0concert and opera singer\u00a0<\/span><\/strong>with a host of renowned conductors such as Gennady Roshdestvensky, Howard Griffiths, Johannes Kalitzke, Jonathan Nott, Hans Martin Linde, J\u00fcrg Wyttenbach, Rudolf Lutz, Ed Spanjaard und Simon Gaudenz. She has sung with well-known ensembles including the Tonhalleorchester, Collegium Novum Z\u00fcrich, the Limburg Symphony Orchestra, the Freitagsakademie, the Basel Symphony Orchestra, Musica Rara in Milan, La Fontaine, Camerata Variabile Basel, Capriccio Basel and Camerata Schweiz, amongst others.<\/p>\n The mezzo-soprano\u2019s broad
\nin L\u00f6wenstein (Baden-W\u00fcrttemberg). She sang in choirs and played the organ prior to discovering her solo singing voice.<\/strong>” content_last_edited=”on|tablet” _builder_version=”4.21.0″ _module_preset=”default” text_font=”Open Sans||||||||” text_orientation=”center” custom_padding=”||||false|false” hover_enabled=”0″ text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”” text_line_height_phone=”1.5em” text_line_height_last_edited=”on|phone” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
She sang in choirs and played the organ prior to discovering her solo singing voice.<\/strong><\/p>\n